I am specifically looking for a 3 reed model and am really not interested in a 4 reed at this time. To equal the versatility of the LMMM box, you need to own 2 smaller ones.
Smaller, lighter, specific (and limited) usage/purpose accordions areĬool to have, but you have to get them at a justifiable cost because In the WORLD worth that kind of premium price (over $5000) when thereĪre tons of professional 4 reed models out there in the same price point. In My Humble Opinion, there isn't a 3 reed treble accordion built today There are some styles and specific uses that a NEW 3 reed can satisfy,īut in terms of re-sale naturally will lose value faster, so you better Ultimately dis-satisfied, and lost money selling them off. Play Chromatic, and who compromised with a new 3 reed treble, were other professionals i have known, who also Specifically, Russ, you are feeling kind of "hot" for this specificĪccordion, but bear in mind a LMM setup will NOT give you a truly Have you priced new Pigini's for comparison?
Which makes sense as there are precious few sources forĬonvertor bass mechanicals. There is also something suggesting they do have an arrangement with Pigini, Stay in business one way or another - this suggests they have a clue.
Would have the technical "chops" of several generations who managed to
Manufacturers/brands who lacked that depth of productionĪ younger part of the family re-invigorated the company awhile back,Īnd began marketing their own brand (Vignoni) historically speaking, they Past the old Bompezzo shop and just below ItaliaCinte (Strapmakers)įisArt made few accordions under their brand name, as most of theirīusiness was providing a sort of "barebones" product to other Their predecessor, FisArt, was around for a long time and had a smallįactory just up from the main gate into the Old City (Castlefidardo)
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